It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
August 7, 2019, 04:08 AM
https://minervaindia.in/journalism-mass-comm/
India
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EditShare provides a foundation for maintaining rich historical film archive and supporting busy production schedule
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Submit Heritage Institute of Management & Communication (HIMCOM) is an endeavor to accelerate the current education system and keep a momentum of innovation, discovery and development. The vision is to lead the young media aspirants in the right direction and the mission is to provide the required infrastructure, technology & conditions in order to facilitate a rigorous and creative learning and the applications of new and traditional skills.
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EditShare Highlights Flow Production Asset Management at NAB; Advanced Metadata Customization and Automation Capabilities Drive Efficiency for Production and Post
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Case Studies to Explore Diverse and Changing Media Asset Management Landscape from Origination to Archive
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There are a few ways of importing RED media into the Avid depending on your workflow and if the DIT is providing transcoded media. RED source files contain a lot of metadata which is useful during certain phases of post production. Because AAF and MXF media don’t retain this information once transcoded, an Avid Log...
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We all see how desktop computers revolutionize every aspect of our industry, but the “last frontier” of video technology is accurate signal monitoring. High-quality cameras are more affordable than ever, but cinematographers need tools to carefully monitor the images they capture. Professional color grading is now within the realm of boutique shops and individuals, but no colorist can work without a good set of scopes. Master delivery requires as much attention to video levels as ever in...
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https://www.aotg.com/nle-ninja-rampant-media-design-testimonial/
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What is exciting about this moment in time for media is that no one knows quite where it is going. New catchphrases like "Transmedia" litter the landscape as people and companies fumble around attempting to define exactly what it is that we are currently experiencing. It is quite like the early days of cinema, we...
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Role specific, web-based and mobile interface in Interplay Central 1.3 makes it easier for any media professional to engage in the production process
#workflow#media#avid#nle#interplayDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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