It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 16, 2021, 08:47 AM
https://www.cgw.com/Press-Center/In-Focus/2021/The...
Visual effects, it’s such an all-encompassing term these days. You’ve got invisible effects, digital doubles, magic, and superpowers all making the impossible possible. The amount of time, manpower, and computer power needed to create these parts of TV, films, and advertising is huge, not to mention the amazing technical know-how and thought to even work out how to start to achieve them. There are many articles and a lot of plaudits who talk about this. However, there is one, undiscussed are...
#vfx#post#movies#creativityMarch 16, 2021, 08:45 AM
https://www.soundandpicture.com/2021/03/93rd-oscar...
Los Angeles, CA – Actor-producer Priyanka Chopra Jonas and singer, songwriter and actor Nick Jonas announced the 93rd Oscars® nominations today (March 15), live from London, via a global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms, an international satellite feed and broadcast media.
#editing#vfx#post#oscars#soundJune 22, 2018, 06:44 AM
https://www.aotg.com/rgbworks-studio-builds-new-suites-with-resolve/
Blackmagic Design today announced that Guangzhou based RGBworks Studio, a postproduction company that specializes in color grading and was founded by veteran directors and colorists, has built its new high end color grading suites and training facility around Blackmagic Design’s DaVinci Resolve Studio software. RGBworks also installed dozens of DaVinci Resolve panels, including the DaVinci Resolve Advanced Panels, Mini Panel and Micro Panels, across the suites.
#blackmagic design#grading#davinci resolve#postMay 15, 2018, 09:58 AM
https://www.aotg.com/trick-digital-uses-fusion-on-the-last-movie-star/
Blackmagic Design today announced that Los Angeles-based visual effects (VFX) house Trick Digital used its VFX and motion graphics software, Fusion Studio, on the film “The Last Movie Star.”
#blackmagic design#vfx#post#fusion studioDecember 11, 2017, 08:57 AM
https://www.aotg.com/the-end-of-the-fing-world-graded-with-res/
Blackmagic Design has today announced that the final Digital Intermediate (DI) for Channel 4’s graphic novel adaptation, “The End of The F•••ing World” was completed in DaVinci Resolve Studio by London post house CHEAT.
#grading#post#davinci resolve studio#conformDecember 11, 2017, 08:54 AM
https://www.aotg.com/resolve-used-for-murder-on-the-orient-express/
Blackmagic Design today announced that its DaVinci Resolve Studio was used to manage the color pipeline, including onset dailies and final grade, on Kenneth Branagh’s adaptation of Agatha Christie’s classic, Murder on the Orient Express.
#grading#post#dailies#davinci resolve studio#online editSeptember 3, 2015, 03:54 PM
http://www.goingpostalshow.com/episode-307.html
Back from Summer Break the team announce the winners for our InAugural Mobile Movie Challenge. We disavow Mission Impossible 5 (or is it 47) and check out what's happening in Post, Production & Pop Culture.
#post#production#pop culture#mobile movie challenge#mission impossibleJune 1, 2015, 09:47 AM
http://www.mobilemoviechallenge.net
MAKE A SHORT VIDEO WITH YOUR iPhone or iPad and Adobe Premiere Clip FOR A CHANCE TO WIN OVER $6000 IN PRIZES To be in the running to win, download Adobe Premiere Clip onto your IOS device and shoot a video (5 mins or Less) featuring as many of our shotlist items as you can find. Publish and share your masterpiece for your chance to win.
#editing#post#production#mobile#competition#movie#prizes#going postal#pop culture#challengeDecember 22, 2014, 10:36 AM
https://www.aotg.com/territory-cuts-quirky-5-hour-energy-spots/
Territory editor Dave Crosslin’s talent and wry sense of humor were tapped for 5-hour ENERGY’s off-kilter campaign for the popular energy shot, directed by Nicolas Hill. Lucky Airlines, the Los Angeles and Detroit-based production company, also collaborated on the concepts for the spots, which are a departure from the tone of the company’s previous campaigns – bringing an over-the-top style and comedic energy to the popular brand.
#editing#post#broadcast#commercials#territoryDaniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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